JONAS LIE

 

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SUNDAY Feature on Art of Architecture -by Gautam Shah 

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Jonas Lie (1880-1940) was a Norway born, American painter. He came to the USA (at the age of 13 via Paris), and by the age of 40, with serene coastal scenes of New England and eastern Canada, he was one of the best-known landscape painters of his time.

Jonas Lie was known as an Impressionist artist with sense of brilliant saturated colours. He exploited the atmospheric effects at different times of day and seasons. But, he loved most the sunshine at the open sea-sides with minimal effect of the shadows. He painted trees standing tall, against the skies and terrain. His sails of the boats borrow the colours of the scene. He uses very few human being, but when he does that these are well configured.

His life and works, all revolved around the coastal areas, such as Plainfield, N.J., New York City and Cape Ann, Mass. 

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CHRISTOPHER WOOD

 

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SUNDAY Feature on ART of Architecture by Gautam Shah

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Christopher Wood (1901-1930) was a British painter. He trained as a painter, From 1921, at the Académie Julian in Paris. He travelled around Europe and north Africa between 1922 and 1924. Wood committed suicide, at the age 29. Most of Wood's greatest works are from 1929 and 1930 (just before he committed suicide).

Wood was ‘known for his idiosyncratic paintings depicting the region around St. Ives’. He painted the openness of the sea coast (Cornwall, Brittany) that was full of pleasure. He was forced to use cheap oil paints and often house paints, and cheap canvas.

Wood extensively used awkward perspectives and distorted scale to create naivety in his art. Wood’s use of colour is muted for his landscape art of coastal scenes, but brilliant in portraits. He used simple brush strokes, minimal details to paint people or objects.

Wood saw the world from his own sensuality and not for confirmation from anyone. He painted a zebra surreally standing on the roof terrace of Le Corbusier’s Villa Savoye near Paris. This was also supposed to be a cover for a book by Irish poet Paul Muldoon, but rejected by the publisher.

GUO XI

 

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SUNDAY Feature on ART of Architecture -by Gautam Shah

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Guo Xi (1020-1090) was a Chinese landscape painter of Northern Song Dynasty, from Henan Province. His works cover a wide variety of themes, like forests, mists, mountains, skies, seasons, rocks. He also painted large screens, walls and scrolls. He was a well-educated courtier.

Guo Xi developed a style of brushstrokes and manner of presenting the details. He used multiple layers (as many as 8) of ink, to create soft blended areas in his paintings. His style is characterized by curled impressionistic strokes for clouds, rocks, trees and mountains. Guo Xi painted three types of trees, lesser-bending trees, crouching, gnarled trees and vertical tall trees, each representing a trait of human personality.

Guo Xi’s major contribution, to Art of Landscape painting was to depict multiple view points in the same scene. This technique, called ‘the angle of totality’ produced a blend of multiple perspectives or floating perspective.

Guo xi’s work inspired many later artists and even had landscapes dedicated to him.

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