ESAIAS VAN DE VELDE

 

ESAIAS VAN DE VELDE

SUNDAY Feature on ART of Architecture -by Gautam Shah 

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ESAIAS VAN DE VELDE (1587-1630) was a Dutch naturalistic landscape painter. He was also a prolific etcher, engraver and draughtsman. His earliest works are in the Mannerist tradition, in which, the landscapes were constructed in a fantastic and unrealistic manner, showing turbulent and hilly scenes from a low point of view so that the sky or the horizon almost disappeared.

By 1615s, he moved away from the panoramic effect, high viewpoints to adopt simple triangular compositions, often with a strong diagonal, tighter conception of the individual forms, clear outlines, and the use of chiaroscuro (the treatment of light and shades). The colouration was now local, tonal, uniform and undramatic. He reduced the number of figures that were typical in traditional in 16^th C northern landscape painting.

He created 180 pictures, 117 of which are landscapes. Graphic works number 200 and engravings and etchings are of 120 prints. He signed his paintings in two different ways: In the early period (1614–16) as ‘E Van Den Velde’ and in the later periods as ‘E. V. Velde’.

In addition to pure landscapes, Esaias painted various figures in landscape settings. He also collaborated with architectural painter Bartholomeus van Bassen (1590-1652), to draw figures and also the representations of ‘pictures within the picture’.

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JAN HENDRIK VERHEIJEN

 

JAN HENDRIK VERHEIJEN

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SUNDAY Feature on ART of Architecture -by Gautam Shah

Jan Hendrik Verheijen (1778-1846) was of Utrecht, a Dutch painter. He was primarily known as a painter of city scenes of Utrecht. He made landscapes, church interiors and portraits. He favoured 17th-18th C houses, medieval churches or city gates. He was extremely accurate (skill gained as a draftsman) and used warm colours. He used sunlight to bring in certain warmth, not just by colours but by including human activities, which often turned out false. He often began with on-site architectural sketches, partly fantasizing with own input for human figures, their dresses and paraphernalia.

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