JACOB JOHANN VERREYT

Post -280

.

SUNDAY Feature on ART of Architecture -by Gautam Shah

 .

Jacob Johann Verreyt (1807-1872) was Belgium painter of moon, nocturnal scenes and mountains. He was the most a powerful representative of the ‘Belgian Romantic school of painting’. He had his art education in Antwerp, but mostly stayed in Germany. He worked with portraits, figures, genre scenes, landscapes, usually by moonlight. He exploited the darker tones. His contour lines and edges are well defined. He worked in oil and watercolour.

.

BERTHE MORISOT

 

Post -279 

.

SUNDAY feature on ART of Architecture -by Gautam Shah

.

Berthe Marie Pauline Morisot (1841-1895) was a French Impressionists. She was married to Eugène Manet, the brother of her friend and colleague famous modernist painter Édouard Manet. In 1861 she was introduced to Jean-Baptiste-Camille Corot, the famous pioneer landscape artist of the Barbizon school. Under Corot's influence, she took up the plein air painting.

Morisot was a regular exhibitor at the Salon, but in 1874, she joined a group of ‘rejected Impressionists’ (by the Salon). The group included Paul Cézanne, Edgar Degas, Claude Monet, Camille Pissarro, Pierre-Auguste Renoir and Alfred Sisley. Art critic Gustave Geffroy, in 1894, described her as one of the three great ladies of Impressionism.

Morisot preferred to work with water colours of limited pallette and subtle contrasts, rather than the oil colours. Unlike her Impressionist colleagues, Morisot used clearer forms rather than blurring. She in spite of adopting the plein air painting worked with home and family scenes.

.

CLARKSON STANFIELD

Post-278

SUNDAY Feature on ART of Architecture -by Gautam Shah

.

Clarkson Frederick Stanfield (1793-1837) was an English Marine scene painter. His one of the sons (George Clarkson Stanfield) is also a famous painter. He was apprenticed to a heraldic painter in Edinburgh. He went to sea in a merchant ship at the age of fifteen (1808). Later he started on a career of a theatre scene painter. Here he became known for the quality and speed of his work. But Clarkson throughout his life remained connected with the sea, painting in both oil and watercolour the marine scenes.

According to Ruskin, Clarkson was ‘the leader of the English realists’. He was considered Turner's nearest rival in depiction of cloud forms. He always worked on sketches, and rarely did an oil or watercolour from the actual site. He travelled to Italy, France, Holland, Germany, Switzerland, Austria, Spain, etc. He used slightly brighter tones to counter the mellowing effect of ageing on colours.

.