GEORGES SEURAT

Post 191 -by Gautam Shah

Sunday Feature on ART of Architecture

Georges Seurat (1859-1891) was a French painter. His most famous and large work Sunday Afternoon on the Island of La Grande Jatte, altered the modern art by initiating Neo-impressionism. He is known as the creator of Pointillism. Chevreul's theory that ‘by closely placing complementary colours, one could produce the impression of another colour’. This was exploited by Seurat.

Seurat was a meticulous artist, he would prepare multiple black sketches to study the site and posture in different illuminations and than prepare several compositions. The first composition, Bathers at Asnières (1884) depicted the light and atmosphere of high summer, through cross brushstroke technique (Balayé), but he later re-touched it with dots of contrasting colours in some of the areas.

After the Bathers, Seurat began the work on Sunday Afternoon on the Island of La Grand Jatte, a mural-sized painting that took him two years to complete. He made several drawings and 30 oil sketches to prepare for the final work. Again he reworked the painting in the technique of Pointillism.

Seurat’s technique of painting was radical, but his themes were ordinary landscapes. Later, he was associated with Symbolist artists and writers.

Seurat was only 31, when he died, yet he left behind Seven monumental paintings, hundreds of drawings and sketches. Seurat's last major works depict Paris nightlife and all share a muted palette, very different from the vibrant colours of earlier paintings.

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CHARLES EDOUARD DELORT

 

Post 190  –Gautam Shah

Sunday Feature on Art of Architecture -by Gautam Shah

Charles Edouard Delort (1841-1895) was a French painter. He studied for a while under M. Duhousset, the Professor of Design at the college of Lorient, in Brittany. He came to Paris in 1859 and entered the studio of Marc-Charles-Gabriel Gleyre. Here, with George Pradel, the noted water colourist Delort acquired the colour style. He accompanied Pradel to Egypt in 1862. The scenes of Algerian life had great impact on many paintings. He devoted his career to scenes of the 18^th C with a sense of romance. He also found that large-scale compositions on Orientalist themes sell well.

As an illustrator, he worked on the ‘Figaro Illustre’ and the journal ‘Les Lettres et les Arts’, and produced drawings for the works of Froissart, Walter Scott, Xavier de Maistre, Theophile Gauthier and Edmond About.

 

 

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